This course focuses on Cleopatra VII (69-30 BCE), the last ruler of Ptolemaic Egypt and one of the best-known women in history and a key powerbroker during a period of important political change, one with enduring repercussions for the western world. She has been, however, deliberately memorialized as a "romantic" agent, a deployer of "feminine wiles", whose gender and political toolbox rightly doomed her efforts to failure. Students will interrogate the process of transforming a historical individual into an object lesson, a trope of femininity, and a cinematic legend, unpacking the messages crafted for a range of audiences and purposes by multiple creators, including Cleopatra herself. We begin with the historical background of the Hellenistic period, cosmopolitan and multicultural, focusing especially on the dynamism of women in the ideology of royal power and as image-makers in their own right, developing special forms for female authority and female patronage. A number of earlier Cleopatras establish context and particular precedents, creating official personae to engage effective interactions with fundamental groups; these include the resilient Ptolemaic queen Cleopatra II (r. 175-116 BCE) and Cleopatra Thea, token in a dynastic alliance who became Great Queen of Syria, dominating the Seleucid throne for a generation. Students will then sift through the evidence for Cleopatra VII, both the contentious (and largely hostile) material for her Mediterranean activities as well as the Egyptian record that may represent the specific efforts of the queen herself, utilizing then-ancient symbol and ritual to assert her legitimate imperial authority and structure her collaboration with major stakeholders in the Nile realm. The last section of the course looks to the lingering memory of Cleopatra long after her death, closely examining images in drama, art, and film to explore how the story of Cleopatra has been crafted and recrafted to represent different "truths" about sex, power, and identity. Graduate-level requirements include two short in-class presentations on particular aspects of course material; weekly responses to the assigned reading, focusing on modern scholarship; and a 5000-word final paper, comparative in nature.

Early Christian and late antique literatures document one of the most significant periods of the human past. This period witnessed and helped to inaugurate the gradual transformation of classical society, government, and religion into three distinct cultures: the Medieval West, Byzantine, and Islamic. The western Mediterranean formed a European, Christian society made up of distinct European nations. In the eastern Mediterranean, the Roman Empire continued as the "Byzantine Empire," and the seventh century saw the birth of another major world religion, Islam, along with the Islamic caliphate. Early Christian and late antique literatures are characterized by a rich interdisciplinarity, but the social, religious, and political impact of Christianity is at the core of the Latin literature of this period. One particular focus of the course will be the "conflict" between Christian and pagan Latin literature -- the problem of how to reconcile the literary inheritance of the pagan past with the Christian present. The texts of Tertullian and Jerome are the loci classici for the discussion of Christian attitudes to pagan literature and culture, a theme we will address first in their texts and then in all subsequent readings. Although our course will include source readings from the wider Latin West (e.g. North Africa and Gaul), our focus will be upon the dramatic transformation of fourth-century Rome into the Primatial See of the Catholic Church and the destination of religious pilgrimage -- the new Jerusalem. Graduate-level requirements include a ten-page research paper or instructional module. Alternatively, a graduate-level translation of Latin texts may be an option with the approval of the instructor.

This course involves in depth study of early Christian texts together with related contemporary Jewish and Greco-Roman literature. Students will engage in careful analysis of individual texts in the New Testament and from the first four centuries of the Common Era, focusing on questions of genre, authorship, and meaning. Alongside these, students will examine writings by contemporary Jewish, Greek, and Roman authors (e.g., Philo, Josephus, Seneca, and Plutarch) as illustrative of the wider literary and religious culture. For students who have completed GRK 201, an option for readings in ancient Greek will be available as part of the course. Graduate level requirements included a extended research papers drawing on appropriate levels of training in language, literature, and knowledge of the ancient world.

This course will survey both the historical development of Egyptology and the archaeological, art historical, literary and other methodologies utilized by this discipline. Graduate-level requirements include additional readings.

Qualified students working on an individual basis with professors who have agreed to supervise such work.

Qualified students working on an individual basis with professors who have agreed to supervise such work.

An honors thesis is required of all the students graduating with honors. Students ordinarily sign up for this course as a two-semester sequence. The first semester the student performs research under the supervision of a faculty member; the second semester the student writes an honors thesis.

A culminating experience for majors involving a substantive project that demonstrates a synthesis of learning accumulated in the major, including broadly comprehensive knowledge of the discipline and its methodologies. Senior standing required.

This course treats topics within the study of religion in ancient Greece, Rome, and neighboring cultures. Knowledge of primary languages is not required, but for qualified students there may be optional readings in primary languages, such as in Greek and/or Latin.

Specialized work on an individual basis, consisting of instruction and practice in actual service in a department, program, or discipline. Requires faculty member approval, preceptor application on file with department.